Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13
VII.7.32 Pompeii. December 2019.
Looking north-west to statue of Artemis. Photo courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. September 2018. Looking west to statue of Artemis.
Foto Anne Kleineberg, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018.
Looking towards the statue of Artemis in front of the third column on the west side.
Foto Anne Kleineberg, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. December 2019.
Looking south-west to inscribed stone at base of statue of Artemis. Photo courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. December 2019.
Looking west to inscribed stone at base of
statue of Artemis. Photo
courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. April 2023.
Bronze statue of Artemis about to shoot an arrow. On display in “Campania Roman” gallery in Naples Archaeological Museum, inv. 4895.
Photo
courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. April 2023. Descriptive card. Photo courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. April 2023. Detail of bronze statue of Artemis.
On display in “Campania Roman” gallery in Naples Archaeological Museum, inv. 4895.
Photo courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. April 2023. Detail of bronze statue of Artemis.
On display in “Campania Roman” gallery in Naples Archaeological Museum, inv. 4895.
Photo
courtesy of Giuseppe Ciaramella.
VII.7.32 Pompeii. April 2023. Detail of rear of bronze statue of Artemis.
On display in “Campania Roman” gallery in Naples Archaeological Museum, inv. 4895.
Photo
courtesy of Giuseppe Ciaramella.
Bronze bust of Diana/Artemis, found 1817 towards the west portico of the sanctuary of Apollo.
Now
in Naples Archaeological Museum. Inventory number 4895. Photo courtesy of Rick
Bauer.
VII.7.32 Pompeii. April 2019. Detail from bronze bust of Diana/Artemis.
Now in Naples Archaeological Museum. Photo
courtesy of Rick Bauer.
Statue of Artemis, now in Naples Archaeological Museum. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.
J68f1398
VII.7.32 Pompeii. September 2018. Detail of
statue of Artemis.
Foto Anne Kleineberg, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. May 2018. Detail of statue of Artemis. Photo courtesy of Buzz Ferebee.
VII.7.32 Pompeii.
September 2018. Looking south to statue of Artemis/Diana.
Foto
Anne Kleineberg, ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. August 2021.
Looking north-east towards statue base in south-west corner.
Foto Annette Haug, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. May 2018. Looking north-east from west side. Photo courtesy of Buzz Ferebee.
VII.7.32 Pompeii. Pre-1937-39. Looking north-east across podium, from west side.
Photo courtesy of American Academy in Rome, Photographic Archive. Warsher collection no. 1131.
VII.7.32 Pompeii. c.1819 sketch by W. Gell. Looking north-east across towards east side.
See Gell W & Gandy, J.P: Pompeii published 1819 [Dessins publiés dans l'ouvrage de Sir William Gell et John P. Gandy, Pompeiana: the topography, edifices and ornaments of Pompei, 1817-1819], pl. 31.
See
book in Bibliothèque de l'Institut National d'Histoire de l'Art [France],
collections Jacques Doucet Gell Dessins 1817-1819
Use
Etalab Open Licence ou Etalab Licence Ouverte
VII.7.32 Pompeii. July
2021. Looking north-east from west portico.
Foto Annette
Haug, ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. May 2018. Looking north-east from west side. Photo courtesy of Buzz Ferebee.
VII.7.32 Pompeii. September 2018.
Looking towards south wall of cella base in south-west corner on
west side of steps.
Foto Anne Kleineberg,
ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018.
Looking towards west wall of steps wall, in south-west corner of
cella base.
Foto Anne Kleineberg,
ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018. Detail of south-west corner of
cella base, near steps.
Foto Anne Kleineberg,
ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018. Detail of south-west corner of
cella base, near steps.
Foto Anne Kleineberg,
ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018. Detail of south-west corner of
cella base, below steps. Looking east.
Foto Anne Kleineberg, ERC Grant 681269 DÉCOR.
VII.7.32 Pompeii. October 2023. Looking east towards west side of altar.
Photo courtesy of Johannes Eber.
VII.7.32 Pompeii. October 2023. West side of altar with inscription. Photo courtesy of Johannes Eber.
VII.7.32 Pompeii. October 2005. A view of the west side of the altar in front of the Temple of Apollo at Pompeii.
The inscription (visible just underneath the shadow) reads:
M. PORCIVS.
M. F. L. SEXTILIVS L.F. CN. CORNELIVS. CN. F
A. CORNELIVS
A. F. IIII. VIR(i). D(e). D(ecurionum). S(ententia). F(aciundum). LOCAR(unt)
According to Roger Ulrich, the use of the term quattuorviri (designated by the Roman numeral IIII) appears after the (re)foundation of Pompeii as a Roman colony for the veterans of Sulla in 80 BCE.
It thus sets a date limit after which the inscription was made.
The best known of the Pompeians named was M. Porcius, who was also a patron of the Theatrum Tectum (small covered theatre or Odeon) and the Amphitheatre.
The altar has a base of travertine, more expensive marble sides (imported from Greece?) and a table top of lava stones.
Photo Courtesy of Roger B. Ulrich.
VII.7.32 Pompeii. May 2006.
Altar inscription, written in Latin, saying
M(arcus) Porcius
M(arci) f(ilius) L(ucius) Sextilius L(uci) f(ilius) Cn(aeus) Cornelius Cn(aei)
f(ilius)
A(ulus) Cornelius
A(uli) f(ilius) IIIIvir(i) d(e) d(ecurionum) s(ententia) f(aciundum)
locar(unt) [CIL X 800 (p 967) = CIL
I 1631 (p 1014) = D 6354 = ILLRP 644]
Mau translated this as:
“Marcus Porcius the son of Marcus, Lucius Sextilius the son of Lucius, Gnaeus Cornelius the son of Gnaeus,
and Aulus Cornelius the son of Aulus, the Board of Four, in accordance with the vote of the city council let the contract (for building this altar)”.
See Mau, A., 1907, translated by Kelsey F. W. Pompeii: Its Life and Art. New York: Macmillan. (p.86)
VII.7.32 Pompeii. May 2006. West and south side of altar.
VII.7.32 Pompeii. December 2019.
Sundial on west side of steps to podium. Photo courtesy of Giuseppe Ciaramella.
Sundial on west side of steps to podium. Photo courtesy of Klaus Heese.
VII.7.32 Pompeii. October 2023.
Detail of sundial, looking towards west side. Photo
courtesy of Johannes Eber.
VII.7.32 Pompeii. September 2018. Looking towards rear
(north) side of sundial.
Foto Anne Kleineberg, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. September 2018. Looking towards
east side of sundial.
Foto Anne Kleineberg, ERC
Grant 681269 DÉCOR.
VII.7.32 Pompeii. October 2023. Temple of Apollo sundial. Photo courtesy of Johannes Eber.
VII.7.32 Pompeii. October 2023. Detail of
sundial in Temple of Apollo. Photo courtesy of Johannes Eber.
VII.7.32 Pompeii.
October 1992. Looking north to sundial.
Photo
by Louis Méric courtesy of Jean-Jacques Méric.
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.
VII.7.32 Pompeii. October 2023. Plaque on
sundial. Photo courtesy of Johannes Eber.
According to Cooley, this translated as –
Lucius Sepunius Sandilianus, son of Lucius, and Marcus Herennius Epidianus, son of Aulus, duumvirs with judicial power, saw to this being made at their own expense. [CIL X 802]
See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge. (p.85)
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), it read as –
L(ucius) Sepunius L(uci) f(ilius)
Sandilianus
M(arcus) Herennius A(uli) f(ilius)
Epidianus
duovir(i) i(ure) d(icundo)
d(e) s(ua) p(ecunia) f(aciendum) c(uraverunt) [CIL X 802]
Photographed 1970-79 by Günther Einhorn, picture courtesy of his son Ralf Einhorn.
Part 1
Part 2
Part 3
Part 4
Part 5 Part
6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13