Numbered on Eschebach plan as number 12.
Part 2 Part 1
According to Boyce, the walls inside the niche were painted with birds perching upon leafy boughs.
They were painted in red and blue on the white background.
See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.72, no. 334).
The central painting of the sacred landscape with statue of Artemis has now faded and disappeared.
The III Style decoration on the north wall showed at the centre an aedicula enclosed by white columns with a large red border.
The side panels were black.
See Sogliano, A: Le Pitture Murali Campane scoverte negli
anni 1867-79.(p. 141, no.687).
Now in Naples Archaeological Museum. Inventory number ADS 798.
Photo © ICCD. https://www.catalogo.beniculturali.it/
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The temple canopy is supported by a herm of Dionysus holding a kantharos and a thyrsus.
Artemis, identified by her crown, bow, quiver, lance and the crown at the top of the pole, is sitting in the temple.
See Carratelli,
G. P., 1990-2003. Pompei: Pitture e Mosaici: Vol. VII. Roma: Istituto della enciclopedia italiana, p. 832-3.
DAIR 83.157. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.
See Kuivalainen, I., 2021. The Portrayal of Pompeian Bacchus. Commentationes Humanarum Litterarum 140. Helsinki: Finnish Society of Sciences and Letters, p.89-90, A12.
VII.15.13 Pompeii. Wooden cupboard or apotheca, found in this house.
Reconstruction on display in Pompeii Museum prior to 1943 bombing, drawn by Pierre Gusman.
According to Gusman this was provenanced from VII.15.12 and on the Eschebach plan, this is number 12, which according to Garcia y Garcia is correct.
See Garcia y
Garcia, L., 2006. Danni di
guerra a Pompei. Rome:
L’Erma di Bretschneider. (P.183,
fig..425)
See Gusman P.,
1899. Pompei : La Ville, Les Mœurs, Les Arts. Paris: Société française
d'éditions d'art, (p.312).
VII.15.13 Pompeii, according to Warsher. Pre-1937-39. Detail.
Photo courtesy of American Academy in Rome, Photographic Archive. Warsher collection no. 1282.